Forums.Animworld.net
:ترجمه و زیرنویس
PARY
Forums.Animworld.net
:ترجمه و زیرنویس
PARY
! این از طرف کیده
بهتره از اون مغزت تا فرصتش رو داری استفاده کنی . آقای شرلوک همز قرن بیستم
کایتو کید اعلام کرده فرداساعت 8 شب ! گنجینه ی ریوما رو برمیگردونه
صدها نفر از مردم در حال حاضر جلوی موزه ی سوزوکی صف بستند
! به این امید که بتونن اون رو ببینن
! فوق العاده ست، کاشکی من هم میتونستم اونجا باشم
. فقط خودت رو تو خطر میندازی
. موافقم. نباید بری
. اوه، عجیبه
واقعا نگرانم شدی، کایتو ؟
! من که نگفتم نگرانتم
! ولی واقعا فرصت خوبیه که کایتو کید رو از نزدیک ببینی
واقعا کید میاد ؟
چرا یه دزد فانتوم برای برگردوندن یه جنس دزدیده شده، تا این حد پیش میره ؟
و چرا فردا ؟
. این راز بلاخره مشخص میشه
. واقعا که خیلی عجیبه
، ولی اگه میخواد خودش شخصا برشون گردونه
یعنی پشیمونه و میخواد کارای بدش رو جبران کنه ؟
! اون تبه کار بخاطر هیچ کارش پشیمون نمیشه
. این دفعه حتما اون عوضی رو میگیرم
علاوه بر این، چه چیزی فردا رو خاص میکنه ؟
. "توی اولین نوشته ش گفته بود" به زودی
جرا یهویی یه روز رو انتخاب کرد ؟
...بخاطر اینکه آئوکو
! فردا قراره بارون بیاد
. اون منتظر بارون بوده
واقعا نظرت اینه، بازرس ؟
! م-معلومه
! این به لطف غزایز تیز من به عنوان یه افسر پلیسه
منظورت اینه که کید منتظره ببینه کی بارون میاد بعد تصمیم بگیره که بیاد ؟
! آره
یه نگاه به بیرون بنداز. هر لحظه ممکنه بارون بیاد . پیش بینی آب و هوا هم گفته فردا بارون میاد
! فوق العاده ست، بابا
خب حالا چرا منتظر بارونه ؟
خب چون توی نوشته ش گفته بود " تمیز میکنم"؟
یا شاید چون براش راحت تره بین اون همه چتر وارد بشه ؟
...خودمم نمیدونم
. معلومه که داری از خودت در میاری
! ن-نه! من نگفتم که، اون بچه گفت
! منظورم بچه ی درونمه
بچه" ؟"
. پس دوباره اون بهشون سر نخ داد
ولی بنظرت بارون یه دلیل ساده برای یکی مثل کید نیست که بخواد منتظر بمونه ؟
. منم همین رو گفتم
بعدشم بعید میدونم برگردوندن اون اشیاء . دزدیده شده تنها هدفش باشه
منظورت چیه ؟
از تارومی و هانامورا صاحب برگذاری . نمایشگاه و ارزیابش شنیدم
میگن که احتمالا میخواد به بهانه ی برگردوندن اشیاء . دزدیده شد، جواهر کمربند تفنگ ریوما رو بدزده
! کافی بود به جای این کارا فقط نمایشگاه رو میبستین
. خب، نمیتونیم
چرا ؟
. اون مَرده تارومی اصلا براش مهم نیست
چرا این کارا رو میکنه وقتی که ممکنه کید از نمایشگاهش دزدی کنه ؟
. برای کسی که این چیزا رو جمع میکنه عجیبه
. خب، چی بگم
. ظاهرا قبلا هم خیلی چیزا از نمایشگاهش دزدیده شده
. که اینطور
تارومی و هانامورا پا توی همون راهی گذاشتن . که اون مرده گوزو که میخواست من رو بکشه گذاشته بود
! ولی امیدوارم این دفعه بتونی اون کید رو بگیری بابا
! آره! بسپارش به من
، یه ماسک ضد گاز برای احتیاط آماده کردم
و یه رمز عبور که باعث میشه کید توی هر لباسی ! هم که باشه بتونیم شناساییش کنیم
حتی دستگاه فلزیاب هم برای تفنگی که کید ! میخواد با خودش بیاره، گذاشتیم
! فردا همین موقع داریم جشن گرفتنش رو ، میگیریم
. بخاطر تمام اطلاعاتت ممنونم بازرس
ولی دوست دارم بدونم منظورش از . تمیز کردن" توی نوشته ش چیه"
اون فقط از جمله ی معروف ریوما استفاده کرده، مگه نه ؟
مطمئنی ؟
. کایتو کید همچین هم آدم ساده ایی نیست
بنظرم یه دزد حرفه ایی این همه به خودش . زحمت نمیده که فقط چند تا شیء دزدیده شده رو برگردونه
. شاید یه انگیزه پنهانی داره
انگیزه ی پنهانی ؟
...بارون...تمیز کردن
شاید تمام اینا یه سر نخه ؟
. اگرچه چون کید نیستم نمیتونم بفهمم معنیشون چیه
! خیلی خب، یکی یکی بیاین جلو
! یکی یکی توی دستگاه ها بایستید
! نفر بعدی، لطفا
! هول ندین
! نگاه کنین
کید ؟
!اون کید نیست ؟
کید ساما ؟
! کید ساما
! ص-صبر کن، سونوکو
!هرچی دلم بخواد میتونم بپوشم، مگه نه ؟
. از نزدیک هیچیش شبیه اصل کاریه نیست
. کید که مستقیما از در اصلی نمیاد
. خیلی هم مطمئن نباش
! در ضمن اصلا هم اینقدر چاق و گامبالو نیستم
!کید کجاست ؟
! خب، بریم برای مبارزه ی اصلی
واقعا یه تابلو هم برای من گذاشتن ؟
! کایتو کید یه شعبده باز حرفه اییه
...هیچ وقت جایی که
تابلو هست پیداش نمیشه ؟...
چی شده، پسر کوچولو ؟
. هیچی، داشتم درمورد کایتو کید حرف میزدم
داشتم فکر میکردم که هیچ وقت یه دزد حرفه اییه مثل اون . جایی که تابلو گفته باشه پیداش نمیشه
. خب فکر کنم راست میگی
...دیوونه ی لعنتی
! چه احمقی
. کونان کون یه چیزی هست که میخوام ازت بپرسم
چیه ؟
یه دزد حرفه ایی این همه به خودش . زحمت نمیده که فقط چند تا شیء دزدیده شده رو برگردونه
. به این مشکوکم که یه انگیزه ی پنهانی دیگه داشته باشه
یه انگیزه ی پنهانی ؟
...بارون...تمیز کاری
. بنظرم اینا سرنخ یه چیزی هستن
این واقعا طرز فکر خودته، بازرس ؟
! معلومه
اون فسقلی میتونه اینجوری هم من رو بشناسه ؟
. فانتوم لیدی
...17سانتیمتر طول
...17سانتیمتر میشه حدود
اینقدر، مگه نه ؟
. بیست و چهارم جون 1867
به این تفنگ توی یه نامه که ریوما به خواهرش . اوتومه نوشته بود، اشاره شده
هفت اینچ طولشه، و پنج گلوله میخوره. کوچیکتر از" . " یه خنجره، با این حال میتونه کسی که 300 پا ازت دور تره رو بکشه
! ک-کید
چطوری تونستی اون تفنگ رو بیاری داخل ؟ از توی دستگاه ها رد شدی ؟
. آره، از توشون رد شدم و اومدم
! خیلی زمان نبرد
اگرچه قبول میکنم اوردن این همه تفنگ . کار راحتی نبود
. و این رو بهت بگم
. اینجام که فقط اشیاء دزدیده شده رو برگردونم
. سر راهم قرار نگیر آقای کاراه گاه بزرگ
! میبینمت
! هی
! صبر کن
! لعنتی
! هول ندین، لطفا
! عجله نکنین
کید کجاست ؟
! نکن
! ران نه چان
ببخشید کونان کون. ترسیدم توی اون همه . جمعیت له بشی
هر چقدر هم بیشتر منتظر کید بمونیم که بیاد . اینا هی بیشتر میشن
ها ؟
. یه چیزی روی آستینته
! نگو
. شبیه یه نوشته ست
کمر ؟
کدی چیزیه ؟
توی راهروی نمایشگاه به چیزی خوردی ؟
آره، یه نفر هولم داد طرف ...جعبه ی کمر بند
! هوی، هوی! هنوز زوده متوجه حقه هام بشی
. موندم چطوری کایتو کید میخواد بیاد داخل
. خب باید منتظر باشیم و ببینیم
. اون دشمنمون نیست، دوستمونه
. بهتره بگی همدست
! خوشحال بنظر میرسین
! کید ممکنه یکی از چیزات رو بدزده ها
چی داری میگی، بچه ؟
. معلومه که این چیزا خوشحالم نمیکنه
بعدشم اون که نمیاد چیزی رو بدزده، میاد . که برشون گردونه
مطمئنین واقعا همین طوره ؟
پس چه کار دیگه ایی میتونه بکنه ؟
حتی اگر هم چیزی رو بدزده . پلیس سریع دستگیرش میکنه
. ممکنه این دفعه نرن دنبال کید
! اوه! مواظب شصتت باش
!اون بچه دیگه کی بود ؟
. ظاهرا اون بچه همه چی رو درمورد نقشه م فهمیده
. فقط صبر کنین
! تمام گندی که زدین رو براتون تمیز میکنم
اوضاع طرف در چطوره ؟
بله! از وقتی که اومدم سمت در کسی ! سعی نکرده بره بیرون
دستگاه های فلزیاب درست کار میکنن ؟
بله، و هیچ نشونه ایی از اینکه کسی اسلحه . داشته باشه، وجود نداره
داخل نمایشگاه چه خبره ؟
. کسی رو ندیدم که بهش مشکوک بشم کید باشه
واقعا کید میاد ؟
! احمق
! کید هیچ وقت زیر حرفش نمیزنه
. پنج دقیقه تا پیدا شدنش مونده
. جی چان موقع شروع نمایش روت حساب میکنم
. خیلی حیفه که کل نمایش رو از دست میدم
...حالا، خانمها و آقایون
! وقت نمایشه...
. بنظرم واقعا کید یه هدف دیگه ایی تو ذهن داره
منظورت چیه ؟
. به زودی خودت میفهمی
!هوی، کجا میری ؟
! کید ممکنه هر لحظه پیداش بشه
! من فقط یه بچه کوچیکم
. پلیس خودش به تنهایی میتونه حساب کید رو برسه
. بعدشم نمیخوام خیس بشم
خیس ؟
درمورد چی حرف میزنه ؟
. ولی، چقدر آدم اینجا هست
. اینجوری نمیتونم مراقب هیچ چیزی باشم
! ه-هوی! دستات رو بکش خانم
! اوه! ببخشید
! شما خیلی شبیه همسر قبلیم هستین
اون دیگه چی بود ؟
! ک-کایتو کید
! کید ساما، خیلی جذابی
! روی جعبه ی کمربند تفنگ ایستاده
! چطور جرأت میکنی درمورد تمیز کردن حرف بزنی
! میخوام یه مشت و مال درست و حسابی بهت بدما
. درسته، اگر بخوای تمیز کاری کنی، به آب نیاز داری
. پس اجازه بدین یه کاری کنم بارون بیاد
!ب-بارون ؟
...لعنتی
! با اون شعله ها ضد حریق ها رو نشونه گرفته بود
. خب دیگه، بهتره برم
! هوی، صبر کن
نمیخواستی اون سه تا شیء دزدیده شده رو برگردونی ؟
...این آب ها باید حقیت رو نشون بدن
! همون طوری که بارون گرد و خاک و کثیفی رو از بین میبره
! داره توی بخار غیب میشه
! چطور جرأت میکنه
! احتمالا فشار آب رو دستکاری کرده
...کید
. ناپدید شد...
! لطفا برین به سمت خروجی
! برای جلو گیری از شلوغی یکی یکی برین بیرون
! جای پاش
! هر جا که رد پای خیس هست رو دنبال کنین
! ولی کل زمین با رد پای خیس پوشیده شده
!چ-چی ؟
. که اینطور
. برای همین منتظر یه روز بارونی شد
. خب، تا حدودی درسته
!پس اون سه شیء که قرار بود برگردونه چی ؟
. گذاشتتشون روی کمربند تفنگ
. اوه، خون دستم ریخت روی کاسه
ولی نگران نباشین. بنظر میرسه همه ی . اینا تقلبی هستن پس مشکلی نیست
. بیشتر نگران کمربند تفنگم
—چی
! دزدگیر توی اینجا خراب شده
!پس کید کمربند اصلی رو با یه تقلبی جا به جا کرده ؟
! لعنتی
. بد طوری گولمون زد
. یه چیزی داره از روی پلاک جعبه میچکه
رنگ ؟
! که اینطور
اون پیغام اصلیش رو روی رنگ آب رنگ بر روی یه پلاک تقلبی نوشت
تا وقتی که خیس شد اون یکی پیغامش ! معلوم بشه
خب بازرس، حالا که این شست و شو ها تمام شده
! مطمئن شو اون دو تا رو انقدر آویزون نگه داری تا خوب خشک شن
. روت حساب میکنم
...که اینطور! چون آستینم بخاطر بارون خیس شده بود
نوشته کمر بند به صورت برعکس ! چسبیده بود به آستینم
خب حالا این پیغام چی میگه ؟
. خب
....اون کمر بند تفنگ از اولش هم تقلبی بود، چون"
چون میخوان یه عالمه تقلبیش رو به اسم اینکه ." این همون اصلیه ست که دزدیده شده، بفروشن
درسته ؟
چیزی که مهم بود اینه که تظاهر کنن . دزدیده شده و جلب توجه زیادی بکنن
به طوری که به تونن اون تولید انبوهی که از قبل داشتن رو
با استفاده از یه شخص سوم به طرفدارهای ، گنجینه ی ریوما بفروشن
. و بهشون بگن این همونیه که از نمایشگاه دزدیده شده
مزیت این کار هم این بود که حتی اگر خریدار ، میفهمید این جنسها تقلبیه
. نمیتونست بره پیش پلیس
برای اینکه بتونه شکایت کنه خریدار مجبوره اعتراف . کنه که سعی کرده جنس دزدیده شده رو توی بازار سیاه بخره
برای همین دزد فانتوم لیدی اصلی آخرین . کسی بود که گزارش دزدیدن این سه جنس ازش ثبت شده
بعدش اون جنسهای تقلبی که دزدیده بود رو جمع کرد
و ازت خواست اون دو تا کلاه بردار رو گیر بندازی، درسته ؟
هرچی نباشه صاحب نمایشگاه و ارزیابش . با هم دیگه کار میکنن تا این نمایش رو اجرا کنن
مگه نه
کایتو ریوما سان ؟
!هوی، این پیغام روی این پلاک حقیقت داره ؟
! ن-نه! چرت و پرت گفته
!این تولید انبوه جنس تقلبی که میگه کجاست ؟
تمام چیزی که داریم یه تفنگ پلاستیکی ! یه کاسه و یه نامه ست
! با-بازرس
! کمربند تفنگ به دلایلی دور کرم بسته شده
! منم همینطور
و روشون هم یه کارت بود که نوشته ! "از انبار تارومی قرض گرفته شده"
...کید لعنتی
! از شلوغی استفاده کرده تا کمربند رو دور کمرامون ببنده
. که اینطور
از قبل دزدگیر رو خراب کرده بودین که ، تظاهر کنین دزدیده شده
. تا بتونین این کمربندایی که درست کردین رو بفروشین
! ن-نه
! بازرس
! بازرس، روی پلاک این مورد هم یه نوشته هست
!چی ؟
بِکِش"؟"
این تابلو رو بکش ؟
!ا-این ؟
! یکی از نامه های ریوماست
! و یه عالمه کپی ازشون هست
با اونی که جفت کمربند توی جعبه بود . یکسان بنظر میرسه
! ا-این یه پاپوشه
! یه پاپوش از طرف کیده
! درسته
! هیج مدرکی ندارین که اینا رو ما درست کرده باشیم
! هی، سونوکو
من فقط کاری که کید روی پلاک گفته بود رو . انجام دادم
. "بشکن"
...هوی
. یه عالمه هم کاسه ی ساکی اینجا هست
. و روی همه شون اثر خون هست
اگر روی این خون یه تست دی ان اِی انجام بدیم . معلوم میشه کی این کاسه ها رو درست کرده
هنوز هم میخواین مثل قبل با خونسردی بگین خون شصتتونه که روشون ریخته ؟
نمیتونین توضیح بدین چطوری خون شصتتون روی . همه ی کاسه هاست
. اگرچه بنظر من باید یه نگاه هم به این انبارتون بندازیم
! جنسهای تقلبی زیادی پیدا میکنیم که هنوز نفروختینشون
از کجا فهمیدی که من کید هستم ؟
. اونم وقتی که بنظرم خیلی خوب تغییر چهره دادم
. آسون بود
جمع کردن یه عالمه تفنگ تقلبی هم . نیاز به فضای زیادی داره
. و انبوهی از کاسه و نامه هم مقدارشون زیاده
برای همین توی جمعیت دنبال کسایی گشتم که . دست و پاشون نسبت به بدنشون لاغر بود
تظاهر کردی یه آدم چاقی تا بتونی جنسهای . تقلبی رو با خودت بیاری داخل
. و اصلا هم توی اون لباسا عرق نکردی
برای همین وقی پاهای لاغرت رو دیدم . این دکمه ی کوچولو رو چسبوندم به پات
بعد با عینکم رد یابیت کردم و فهمیدم کجایی . و فقط کافی بود توجهت رو جلب کنم
اوه ؟
خب ؟
حالا میخوای تحویلم بدی ؟
. نه
. بخاطر ریوما ایندفعه رو چشم پوشی میکنم
ها ؟
تو یکی از طرفدارای ریومایی ؟
. مامانم هست
یه بار نقش خواهر ریوما، اوتومه رو بازی کرد . و عاشقش شد
اگرچه ظاهرا مجله ها گفته بودن" برای نقش . اوتومه زیادی خوشکله" و همین باعث شد دیگه کار نکنه
خب، ظاهرا هر دو تامون در مقابل . مامانامون نمیتونیم بایستیم
! میبینمت
هر دو تامون" ؟"
...هوی، نگو که
....فانتوم لیدی
. ببخشید، آئوکو
بخاطر دل دردم توی دستشویی گیر کردم
و تو هم نتونستی کایتو کید رو ببینی چون . مجبور شدی پیش من بمونی
! اشکال نداره! مطمئنم یه آدم چاق پیر گامبالوئه زشته
! چند بار باید بگم؟ اونقدرا هم چاق نیستم
. اگرچه فکر نکنم الان بتونم هیچ مخالفتی بکنم
...خب دیگه. تا نمایش بعدی
. منتظر داستنهای کاراگاهی فانتزیمون باشین
! تا برنامه بعد
قسمت بعدی
! تقریبا زمان کریسمسه
، میخوام یه کریسمس آروم و خوب داشته باشم
. ولی آئوکو ازم میخواد کمکش کنم یه پارتی بگیره
و صبر کن، چی ؟
کید یه پیغام فرستاده ؟
! نمیدونم کی فرستاده، مطمئنم خودم نبودم
! من هم به استراحت نیاز دارم
Two Kaitou Kids on Christmas Eve
: قسمت بعدی کایتو کید 1412 . "دو تا کایتو کید توی روز کریسمس"
Next Episode: Saturday 27th December 5:30 PM
* Excluding certain areas
! همون جا بمونین و تماشا کنین
! خیال بعدی رو از دست ندین
yume demo nozomu White of Crime
Even in my dreams, I'm still searching for the perfect white crime
White of Crime te ni iretai soremade kawari tsudukeru
That perfect white crime, I'll keep on changing till it's mine
yume demo furenakutemo nozomu dake de ubaeru
Maybe it's a dream, or simply out of reach, but all it takes to steal it is desire
dokoka wo kitta sakkaku no you na itami kono te ga sagashiteiru
My hands are seeking out the source of this phantom pain I'm feeling
omoi wo yoru ni shifuto saseru nukeru hayasa wo machigaenai
Shifting the gears of my emotion toward the night, I set off at uncharted speeds
hibiwareta mama mawaru machi aoku kudakeru yoake wo
Take this broken city and its listless, crumbling dawn
jiyuu ni saseru negau hodo kagayaki dasu
Liberate them from themselves, your wish will cast light on them
White of Crime te ni iretai soremade kawari tsudukeru
That perfect white crime, I'll keep on changing till it's mine
yume demo furenakutemo nozomu dake de ubaeru
Maybe it's a dream, it may be out of reach, but all I'll need to steal it is my will
Dream of Crime fureta kimi ni nozomu subete sasageru
Now that the dream of crime has touched you, you'll have all that you desire
arikitari no mainichi sa tte akirameru you na hanpa janai yo
I'm not another lethargic person who settles for the idea that it's just another day
yokoku nashi no trouble datte taikutsu yori mashi demo Day by Day
Even unexpected troubles would be better than suffering monotony day by day
ato dorekurai?
When can I set off?
imasugu yamechae nazokake no jimonjitou
Stop wasting time trying to solve every last riddle in your head
donna konnan koukai datte
All the regrets and obstacles I face
koete miserunda taneakashi wa iranai
I'll overcome them on my own, I don't need you to lift the curtain
ano sora e to habataku owari no nai emotion
Take a leap of faith into the sky on wings of limitless emotion
speed agete gun gun mai agaru motto motto takaku
Go faster, journey farther, soar higher than ever before
Ready!
miseruyo kagayaku tobikiri no illusion
I'll enchant you with the greatest and most radiant of illusions
te wo nobasou oitsudukeyou
So let's extend our hands, and keep up the pursuit
"kimi no matsu sekai" e
Of a world for me and you
Kid, Conan, and the Illusion of Ryouma's Treasure
Great Suzuki Museum
KID
Kid
Great Suzuki Museum
Space Prepared for Kaitou Kid to Return Treasures
Artifacts Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
Space Prepared for Kaitou Kid
to Return Treasures
Tosa Corner
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
A hanging scroll written in 1863. Well over 100 letters containing Ryouma's handwriting have been located, but very few examples of his writing still exist in this form. Written on it is a brief missive lamenting the corruption of the shogunate of the era. At the time, Ryouma had just come to learn that following the Shimonoseki Campaign, corrupt shogunal officials had been aiding foreign ships. His sorrow and indignation can be observed through this piece.
This pot was found in the beginning of the Shouwa period in Kamimachi, located within the capital city of Kouchi Prefecture. It was originally purchased by the third head of the Sakamoto family, Sakamoto Naotari (Ryouma's father, also known by the name of Sakamoto Hachihei), and is said to be made of Qing porcelain. It shows just how wealthy the Sakamoto family was at the time. Additionally, it is said that the young Ryouma would hide in this pot while playing hide-and-seek, and find himself unable to climb out of it—an anecdote befitting of Ryouma's endless curiosity.
Space Prepared for Kaitou Kid to Return Treasures
m -59 -19 l -69 -330 32 -286 52 21
Smith & Wesson 6-shot .32 Army Model 2 revolver (25cm long)
This pistol was given to Ryouma near the end of 1865 by Takasugi Shinsaku as a souvenir
from Shanghai, as attested by Ryouma's words in a letter to Kido Takayoshi: "I
managed to drive them away with a pistol given to me by Takasugi [Shinsaku]".
Ryouma kept this pistol with him, using it to escape trouble during the Teradaya Incident.
But he discarded it while on the run, and it was lost for good. (This is a replica owned
by the Sakamoto Ryouma Memorial Museum in Kouchi).
Ryouma's other pistol, a Smith & Wesson 5-shot .22 First Issue Model 1 1/2 revolver
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
Tosa Corner
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
It is a well known fact that one of the two guns owned by Ryouma was a Smith & Wesson .32 Army Model 2 revolver, given to him as a souvenir from Shanghai by Takasugi Shinsaku. But in recent years, it has come to light that this gun belt was also given to him along with the gun. As well as its main purpose of carrying the gun and bullets, it has a large ruby attached to the buckle, making it valuable as an ornamental piece.
This gun belt was a fake all along. Because they had made masses of them, planning for it to be stolen...
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
Ryouma Artifacts Stolen!
Brazen Theft Takes Place In Full View Of Crowd
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this hanging scroll cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid
The materials used are too new, and the methods of production are too modern. As such, I conclude that this large pot cannot be from the Bakumatsu.
Kaitou Kid